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“I didn’t find anything to be confusing,” Fusco says. Having been accustomed to the VENUE | Mix Rack System prior to S6L, Fusco and his team were able to jump right in. The third factor was the intuitiveness of S6L.

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“Whenever my coworker wants to mix, I throw up a Pro Tools session and let her have at it.” Fusco also uses S6L’s integrated Pro Tools functionality to record services, which are subsequently mixed, edited with the video recording, and posted online for the congregation to view on-demand-something he says has been more important than ever during the pandemic. “We actually did a recording session not long after the console was put in and I used to dial-in the system.” He also uses this feature to let others practice their skills. “I spent a lot of time on when I first had the console,” he says. It was a really special show on the Ultimate Collection tour.Second, Fusco was able to save time with Virtual Soundcheck, enabling him to begin preparing for the service without needing the musicians to be present. He sent me through 10 or 12 extra stereo input stems, which the S6L handled easily thanks to the high channel count. The orchestra prepared their own arrangements of Anastacias hit-filled set list.Ĭhris continues: Because of time constraints, another mixer joined the fold in Prague and was backstage solely mixing the orchestra on another console.

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I currently only have one HDX card in my console with a possible max of four and I wasnt pressurising the card with the amount of plug-ins I use at all.ĭuring the Prague stop-off of the Ultimate Collection Tour, there was an extra special treat for the audience as a full orchestra joined the production for one night only. The Anastacia tour was a big 60 input production designed for theatres, and thanks to the advanced processing power and track counts available it was flawless in performance and recording every channel directly to Pro Tools every night. VENUE S6L is just so much quicker everything is where I need it to be straight away. Running the VENUE S6L-32D, with the power of the VENUE E6L 192 engine, Chris explains how much more time the console gives him back in the run up to a show. My workflow on VENUE S6L is tremendous the ease of the navigation is so smooth, and Im never a button press or two away from where I want to be. Ive always completed great shows on Avid Profile desks and the VENUE S6L is no different Avid desks just sounds better than everything else, period I plug it in and the clarity is instantly there.

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I ran some previous show files that were recorded on a Profile system at 48k, which I upsampled.Įven though I hadnt yet done a gig or recorded any material on it at 96k, the console sounded great The first show that Chris mixed on the VENUE S6L was in February 2016 with pop starlet Jessie J, for a performance on the Swiss TV event Art on Ice. I was immediately aware that it made everything sound incredible.

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Creative ct5880 sound card driver download for windows 7Ĭhris initially tested the VENUE S6L in his home studio and instantly knew he was in good hands with the live mixing console. Tutorials Free Webinars Find a Course Get Certified Avid Learning.Ĭommunity Music Notation Community Avid Link Avid Blogs Avid Customer.ĭuring the summer of 2016, the five-month European theatre and festival tour took in multiple stops in the UK, Germany, Italy and Eastern Europe.Īfter completing a host of world tours with multi-platinum artists, including Pink, Jessie J, Joe Cocker and Sade, front of house engineer Chris Madden supported the recent Anastacia tour with the powerful Avid VENUE S6L.Įverything Ive done since 2005 has been on Avid, working on D-Show and Profile, and pretty much everything Ive done this year has been on the VENUE S6L. Avid Venue Profile Offline Editor Free Webinars Find Servers Solutions Menu Audio Post Production Cloud Solutions Education Live Sound Music Creation Music Notation News Production Video Editing Video Post Production Find solutions for sound mixing, sound.